Blogs
CHILDREN'S COMIC MELLTEN IS LOOKING FOR THE NEXT GENERATION OF WELSH CARTOONISTS
By AmeriCymru, 2018-01-17
The prize for the winning entry will be an original piece of artwork by Mellten creator, Huw Aaron and a Family Ticket to Hay Festival 2018. The strip will also feature in the next issue of the comic! There is also a prize available for the winning school – a workshop with Huw Aaron himself.
The competition is open to all and you competitors can choose to complete the Capten Clonc cartoon strip included in the seventh issue of Mellten or create a totally new character or cartoon.
The competition closes on the 31 st of March and the names of the winners will be announced in April. Competitors are asked to send their work to cllc.plant@books.wales or through the post to – “Mellten Competition” , Welsh Books Council, Castell Brychan, Aberystwyth, Ceredigion, SY23 2JB.
‘'We are delighted to be working with Mellten and y Lolfa on this competition and give the children and young people of Wales the chance to get their imagination going by creating a new cartoon character or strip,’ said Angharad Wyn Sinclair, Reading Promotions Project Manager, ‘What better way to celebrate World Book Day this year than by reading the latest issue of Mellten and trying out in this competition? We look forward to seeing the various creations!’
‘The seventh issue is a great example of encouraging children to create and use their imaginations,’ says Huw Aaron, ‘We at Mellten are very eager to help and develop children’s creative talent. I myself especially want to see the next generation of cartoonists creating their own comics in the future.’
‘The creative talent is certainly there but children need the opportunity to showcase their talents’ he added.
In the pages of the seventh issue Gwil Garw discovers himself in a bit of trouble, Bloben discovers its affection for Cyw and Iola is preparing to race at the Space Rally competition.
There will be more stories from the shadows as the storyteller tells the story of Pontarfynach’s mysterious bridgge, the Allwedd Amser mystery will continue while poor Boc is missing on the farm and the animals are all on the run.
Aimed at children between 7 and 13, Mellten is the first original Welsh language comic in decades. The next issue will appear in March. Individual issues are available or it is possible to subscribe for £8 a year via the website, schools or local bookshops.
The seventh issue of Mellten (£2, Y Lolfa) is available now.
Searching for Songs
Hi my name is Chris Jones, I'm a traditional folk singer and musician from Wales. A member here on Americymru who is interested in the Welsh musical history and heritage of America. I suppose I'm doing the opposite to Welsh Americans who investigate their Welsh ancestry. My project is the reverse as I'm particularly interested in investigating Welsh folk music that would have been taken to America by the ancestors of today's Welsh Americans and rediscovering (hopefully) sources that still exist-particularly those that remain undiscovered, uncatalogued and unpublished.
Perhaps there are collections that exist which Americymru members may be aware of, catalogued or yet to be catalogued in community or city museums? Perhaps you know of collections bequeathed to Universities or colleges and may be unresearched? Perhaps some members here know of unpublished PHD theses that studied Welsh history particularly our folk music, song and lore.
In addition I'm looking for archived collections, as I'm also very interested in family, community and personal accounts and stories remembered till this day. Family heirlooms such as books or documents and collections which may contain or reference song lyrics or tunes from Wales. And, of course families memories, written accounts of the Welsh immigrant experience in America: memoirs, biographical or autobiographical that members here might want to share. Are there Welsh folk songs waiting to be rediscovered?
My project is primarily looking for Welsh folk songs that might have made it across the Atlantic and sung in Welsh communities in America, but have been "lost". And my long term plan is to collect enough rediscovered songs to reintroduce them into the Welsh repertoire and record them onto an album. But please do respond with any information regarding the Welsh American immigrant experience in either Welsh or English, as who knows what gems may be found?
If you are curious about my music and want to hear what I do then please click this link to my new website on:
http://chrisgwerin.cymru
Yn Ddiffuant (sincerely)
Chris Jones
Rimrock opera company in America will perform Joseph Parry’s Blodwen (the first Welsh opera) – yn Gymraeg! [in Welsh!]
By gaabi, 2018-01-16
PRESS RELEASE: January 2018 In May/June of 2019, NOVA Center for the Performing Arts, in a co-production with Rimrock Opera Foundation in Billings, Montana, USA, will perform Joseph Parry’s Blodwen (the first Welsh opera) – yn Gymraeg! [in Welsh], with English supertitles. Tickets will go on sale in September 2018 – seating is limited so the early bird … http://www.novabillings.org
This will be the first complete stage production of Blodwen in America and will use Dulais Rhys’s 2015 chamber version of the orchestration. For more information: http://dulaisrhysmusicservices.com/blodwen.htm
DATGANIAD I’R WASG a GALWAD I GANTORION: Ionawr 2018 Yn ystod Mai/Mehefin 2019, bydd NOVA Center for the Performing Arts, mewn cyd-gynhrychiad gyda Rimrock Opera Foundation yn Billings, Montana, UDA yn perfformio Blodwen Joseph Parry (yr opera Gymraeg gyntaf) – yn Gymraeg! - gydag uwchdeitlau Saesneg. Bydd tocynnau ar werth o fis Medi 2018 – mae nifer y seddau’n gyfyng, felly’r cyntaf i’r felin …
http://www.novabillings.org Dyma fydd y cynhyrchiad llwyfan cyfan cyntaf o Blodwen yn America, gan ddefnyddio fersiwn siambr 2015 Dulais Rhys o’r gerddorfaeth. Am fwy o wybodaeth: http://dulaisrhysmusicservices.com/blodwen.htm GALWAD I GANTORION: mae Rimrock yn gwahodd cantorion proffesiynol o Gymru sydd â diddordeb mewn ymgeisio am Brif Ran* i anfon portffolio proffesiynol at y Llywydd: Ms Lucinda Butler, 4964 Nez Perce Lookout, Billings, Montana 59106, UDA neu operapresident@hotmail.com Disgwylir i’r unawdwyr gynorthwyo cantorion Rimrock gyda chanu yn Gymraeg * http://dulaisrhysmusicservices.com/assets/DRAMATIS%20PERSONAEC.pdf Mae croeso i chi anfon y wybodaeth hon ymlaen at unrhyw un fyddai â diddordeb.
In Wales construction of most cinemas took place in 1910 and 1911, although a number of buildings had been converted into cinemas before that.
‘In days gone by a weekly visit to the “flicks” was as common as watching the television is today. It was an adventure and one of the few modes of entertainment available,’ said author Alan Phillips, ‘It was a chance to step back in time or to the future, a chance to forget daily toils and, for an hour or two, be transported to a make-believe world’.
Wales had its own film pioneers, such as John Codman, son of the Llandudno pier Punch and Judy man, who travelled throughout north Wales with his magic lantern living picture show. Then there was Arthur Cheetham who filmed day-to-day scenes throughout the country for the purpose of showing them at venues across most of Wales. He eventually settled in Rhyl and in 1906 established the Silvograph Animated Pictures - the first permanent cinema in Wales.
But, by the 1960s the advent of television and increased running costs caused cinema attendances to decline and several went into financial difficulty.
‘Times have changed now,’ added Alan, ‘Some cinemas or theatres were converted into bingo halls or were used for other uses, such as supermarkets, or eventually demolished. Today several cinemas have been taken over by J.D. Wetherspoon pubs, and they have retained the décor to give us a glimpse of their former glory days’.
There are still some independent cinemas left in Wales, mostly run by local authorities with the help of volunteers. Over the years the Welsh Government has supported the venues with grants from the European Development Fund which have enabled the cinemas to invest in modern equipment such as digital projectors.
As well as being a former cinema projectionist himself, Alan notes that his motivation behind the book were ‘more than anything seeing the number of cinemas that have closed throughout Wales since the 1960s’.
Alan Phillips studied history at University College of Wales, Swansea, before joining the RAF. He worked as a cinema projectionist with the Kinema Corporation and later with the Ministry of Defence.
The Cinemas of West Wales by Alan Phillips (£6.99, Y Lolfa) is available now.
Correct answers below - Cymraeg - Vocabulary Crossword 1
Try our new interactive crosswords here - Welsh Crosswords
NEW!! Welsh language vocabulary section - Geriadur
Ghosts That Inhabit The Mists That Lie Between Ridges Until Banished by Sunrise
By Paul Steffan Jones AKA, 2017-12-24
The loss of the supernatural weighs
as heavily on us
as the loss of our religion
we invent new terrors
novel demons
the latest monsters
surreal serial killers
genocidal generals
privileged politicians that condemn
thousands to slow deaths
by favouring the rich
instead of the poor
what occasionally appears
in the corner of an eye?
what does one divine
in the embers of a fire
one has stared at unceasingly
for a whole wordless evening?
what is heard above the crackle
of a hearing aid
when the wind bends branches
and is somehow transformed
into footsteps on roof tiles
as one is separated from sleep?
we are haunted
we haunt
so bring me my ghosts
before dawn
before the replaying
of days and daylight begins again
all the old spectres congregate
in the camouflaged fog chapel
that is the meeting place of their calling
closer to Heaven
in what was once called
“God’s country”
the cast includes the celebrities
of my land’s theatre of haunting
the corpse candles
highlighting imminent death
the bwcas that preceded
then made mischief for miners
the fair folk the fairy folk
known as the tylwyth teg
and revenant sin eaters
who gorged on surfeits of sin
and the spirits of ordinary
and extraordinary sinners
dogs and magpies
we enjoy illusory freedom
and unjustified notions
of our own independence
our elbows perpetually jostled
by endless distractions
and chapters of false narrative
I fantasise about phantom football teams
playing in a dead Premier league
unseen in video playback
as an antidote to endless TV
shot in poorly lit US constructions
purporting to show scenes
unsettled by poltergeists
we are haunted
we haunt
so bring me my ghosts
...
John MOuse reunites with Sweet Baboo for his fifth album 'Replica Figures' released 19th February 2018
By Ceri Shaw, 2017-12-21
After a successful fan funding campaign, John MOuse releases his fifth album ‘Replica Figures' out through Keep Me In Your Heart Records on the 19th of February 2018. For ‘Replica Figures’ John returns to work with original band member Sweet Baboo. It's been 15 years since the two worked under John's previous moniker JT Mouse and the result is a touching album with glimpses of John's black humour, which has been a signature throughout his career.
"We had talked about working together but other commitments had taken president. This is the type of album I have been wanting to release for some time.” Says John of his decision to work with Steve Baboo “ Steve understood straight away what I was trying to achieve and we worked really quickly on just letting the songs breath and be themselves. Nothing was over thought or overworked."
‘Replica Figures’ features Steve Black (Sweet Baboo) on piano and bass, former guitarist of early 90's indie band Hopper (who were signed to Tony Wilson), Paul Sheppard, and John's daughter Maggie Lola on backing vocals. The album circulates around the concept of memories, different memories, how they are created, the lack of memory, enforced and false memories...
"We wanted the album to have restrictions in place, a limited palette of instruments and sounds, and most importantly a vocal performance to capture emotion and the moment.” Says John about recording the album “We are so used to listening to perfect vocals and I wanted to create a snapshot, much like a memory."
‘Replica Figures’ is John’s first album since 2014’s greatly received long player ‘The Death of John MOuse’ that was praised by The Line of Best Fit and Louder than War websites and its brilliant lead single ‘I was a Goalkeeper’ which featured Gareth from Los Campesinos . John MOuse, real name John Davies, has been described as ‘A Welsh Beck,’ and ‘A Less Funny Half Man Half Biscuit'. Under his previous incarnation JT Mouse he worked with Sweet Baboo (aka Steven Black) while in 2010 he scored a cult hit with a song about a gay romance with another duet, this time with TV presenter Steve Jones lifted from the acclaimed album ‘Humber Dogger Forties’. Airplay support for John MOuse includes Frank Skinner on Absolute Radio, Huw Stephens on BBC Radio 1, Steve Lamacq on BBC 6 Music and Adam Walton & Bethan Elfyn on BBC Radio Wales.
“The blend of unpredictability, wit and sharp reminiscence contained within is the real joy of this latest offering by this highly original artist a Welsh indie pop hero…reminiscent of a South Wales David Gedge” Louder Than War
“A Welsh Weezer… arty and not afraid of whopping melodies” The Line Of Best Fit
“An extraordinary piece of poetry.” Mary Anne Hobbs on ‘Robbie Savage’.
“There is only one John MOuse, a Welsh Superstar and an impassioned performer.” Tom Robinson
www.facebook.com/JohnMOuseMusi
www.twitter.com/johnmousemusic
...
The winner of our free ticket competition has been drawn and announced. For the rest of us there is a discount code in the blog post below AND the opportunity to watch the concert streamed live on Facebook
"Sir Karl Jenkins is the most performed living composer in the world."
We are extremely pleased and proud to announce that Distinguished Concerts International have made available a pair of tickets for the forthcoming Karl Jenkins concert in New York at the Stern Auditorium/Perelman Stage, Carnegie Hall on Monday, January 15th, 2018. The program includes Sing! The Music was Given , a new work commissioned for DCINY’s 10th Anniversary, and The Armed Man , which is presented with film. Read our (2010) interview with Karl Jenkins here
We are offering these tickets as a QUIZ PRIZE on Americymru!
Just answer the three easy quiz questions below ( answers can all be found on Wikipedia ) and send them to us at americymru@gmail.com ( all email addresses will be deleted when the competition closes ). We'll throw all the entries in a hat and pick the winner! Please email us by Tuesday, January 10th, 2018 no later than 9 PM ( Pacific Time ). Tickets will be ready at will call on 1/15 at the Stern Auditorium/Perelman Stage, Carnegie Hall; the winner will just need to bring a photo ID.
Only one entry per email address is permitted. Duplicates will be disqualified. You do not need to be an AmeriCymru member or logged into the site in order to enter this competition.
If you don't win the competition, please do not despair. DCINY is very kindly offering a 30% discount code for AmeriCymru readers. The code is DCC27599 and it can be used online, over the phone, or in person at Carnegie Hall
Karl Jenkins Quiz
- What are Karl Jenkins middle names?
- When is Karl's birthday and what year was he born?
- At which Welsh university did Karl study music?
MONDAY, JANUARY 15, 2018 at 7:00 PM
Stern Auditorium/Perelman Stage, Carnegie Hall
The Music of Sir Karl Jenkins: A DCINY Tenth Anniversary Celebration
DCINY honors UK composer Sir Karl Jenkins with an evening comprised of both new and lauded compositions by the honoree. The program includes Sing! The Music was Given , a new work commissioned for DCINY’s 10th Anniversary, and The Armed Man , which is presented with film. The performance is conducted by Jonathan Griffith , DCINY Artistic Director and Principal Conductor, and features Distinguished Concerts Orchestra and Distinguished Concerts Singers International.
PROGRAM
ALL-KARL JENKINS PROGRAM
KARL JENKINS: The Armed Man: A Mass for Peace (with film)
KARL JENKINS - Sing! The Music was Given (New Work Premiere; Commissioned by DCINY Premiere Project)
PERFORMERS
Jonathan Griffith, DCINY Artistic Director and Principal Conductor
Sir Karl Jenkins, DCINY Composer-in-Residence
Featuring Distinguished Concerts Orchestra and Distinguished Concerts Singers International
Tickets $20-$100!
On Sale Now!
Visit CarnegieHall.org or call 212-247-7800
Box Office: 57th Street and Seventh Avenue
Senior and Student Discounts Available at the Box Office with ID
For Group Tickets, VIP Packages, Discounts, and More, e-mail boxoffice@DCINY.org
Ticket Link: The Music Of Karl Jenkins
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I have recently published this book at Amazon about the noted Welshman Goronwy Rees.
Meurig W Williams tudur07@aol.com
GORONWY REES, GUY BURGESS’ “most intimate friend” flew too close to the sun
ABOUT THE BOOK
Goronwy Rees is best known for his close friendship with Guy Burgess, one of the Cambridge Five Cold War spies, and how that ruined his career and his life. His convoluted motivations remain an enigma. Here we interpret his life in terms of current understanding of human behavior. Rees was a handsome, athletic, charming and brilliant but self-destructive man. He rose from a modest Welsh background to become in 1931, at the age of 21, a fellow of All Souls College, Oxford which was a center of the powerful English Establishment. Now having access to the corridors of power, he attracted the attention of Guy Burgess who informed him that he was a Soviet agent. Rees was easily drawn into the powerful vortex of Burgess’ charm and manipulative prowess and was recruited by him, perhaps against his better judgement, largely as a consequence of his poorly developed sense of identity, a phenomenon that was not well understood at that time. That intense relationship, which lasted through Rees’ marriage and a variety of jobs, ended when Burgess disappeared in 1951. Rees immediately realized that he had gone to the Soviet Union and, strangely, attempted to inform the authorities. Having lost his closest friend, in order to feel fully alive again, Rees felt a need for a new challenge, and to continue to live life his own way, regardless of conventional values of society. Such an opportunity arose in 1953 when he accepted the Principalship of a provincial Welsh university which was fraught with complex challenges. The following year, a new President of the university was elected who opposed Rees’ plans, disliked him personally and waited for an opportunity to move against him. To make matters worse, Burgess surfaced to considerable fanfare in Moscow in 1956, proving that he was a spy. Those two unrelated and unanticipated events transformed what Rees had considered to be acceptable levels of risk into a major threat. To which Rees overreacted by attempting to distance himself from Burgess by writing angry letters to a newspaper, describing him as a corrupt man, spy, blackmailer, homosexual and a drunk. As the result of a ‘trial’ by the university authorities, which revealed their own backwater prejudices more than any wrongdoing by Rees, other than showing poor judgement, he lost his Principalship. For exposing Burgess, Rees was vilified by the English for violating E.M.Forster’s dictum that “If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country”, which was a cultural foundation of the English Establishment into which he had been accepted. And he was vilified by the Welsh Establishment for betraying Welsh cultural values in his position as Principal. An unfortunate consequence being that he failed to get the recognition he deserved as a writer of distinction.
The degree of Rees’ involvement in espionage was inconsequential, based on published evidence, but may not be fully determined on account of unreleased British government files. We make the case that, in spite of their many common personality characteristics, Rees differed fundamentally from Burgess in that he was a constructive but flawed person, whereas the evil Burgess was hell-bent on destroying his country and himself. The opinions of Rees’ closest friends must be respected. Some thought that perhaps he never grew up, and just enjoyed the pleasures of the moment, especially those of being attractive to women sexually, and to men who were dazzlingly brilliant outsiders like himself. One admirer wrote that “If he had not held pleasure to be his first principle, he might have suffered dismaying attacks of responsibility and ambition, in which case he could not have given so many of us over so many years such delight in his company”.
When does a reasonable level of risk become untenable? Only those who will risk going too far can possibly find out how far one can go. T.S. Eliot.
In Greek mythology, Daedalus and his son Icarus were imprisoned on Crete but escaped after Daedalus made wings out of wax and feathers for himself and Icarus. Before taking off, Daedalus warned Icarus not to fly too close to the sun or the wax would melt his wings. Icarus of course did exactly the opposite of what his father said, the sun melted the wax on his wings, the feathers fell off and he fell into the sea and drowned.
The danger with accepting risk is that unanticipated factors can transform the risk into disaster. For Icarus, the risk was flying with feathered wings. The unanticipated factor was the heat of the sun. Rees took two major risks. One was his friendship with Guy Burgess, knowing that he was a Soviet spy. The unanticipated factor was Burgess’ appearance in Moscow, creating an international furore, thus proving his espionage and posing a threat to Rees’ career. The other risk was acceptance of the Principalship at a provincial university which posed known major challenges. The unanticipated factor was the election of a new President at the university who opposed Rees’ policies, disliked him personally and waited for an opportunity to move against him. One followed the other closely, and Rees responded to the cumulative stress by writing a colorful and detailed exposé of Burgess which ended his academic career and to a large extent ruined his life. He had flown too close to the sun.
CONTENT
I SYNOPSIS
II WHAT WAS THE BASIS OF REES’ FRIENDSHIP WITH BURGESS?
III INTRODUCTION TO PERSONALITY STYLES
IV GORONWY REES’ PERSONALITY STYLES
V EARLY DAYS
VI OXFORD
VII THE LADY NOVELIST PHASE
VIII A VARIETY OF UNRELATED JOBS
IX A PERSPECTIVE ON WALES AND ABERYSTWYTH
X THE ABERYSTWYTH PRINCIPALSHIP
XI THE LATER YEARS
XII SO WHO WAS GORONWY REES?
XIIa …. IN BRIEF
XIII GUY BURGESS
XIV HENRY YORKE
XV JOHN SPARROW
XVI MAURICE BOWRA
XVII APPENDIX. ON RELIGION, CLASS, HYPOCRISY, ENLIGHTENMENT AND HOMOSEXUALITY IN 20TH CENTURY BRITAIN
The crowdfunded album which is officially released Feb 19th is a collaboration with Sweet Baboo, who produced and played on the album. It's the first time in 15 years that John has worked with Steven Black since they were in the band JT Mouse.
The album also features Paul Sheppard, former guitarist of 90's indie band Hopper who were signed to Tony Wilson's Factory Too records, and who's debut album was produced by Bernard Butler.
The Video is filmed entirely by John's daughter Maggie Lola Davies who also features on backing vocals on the album.
<a href="https://youtu.be/3T2O3hqq50k" target="_blank" data-saferedirecturl="https://www.google.com/url?hl=en&q&source=gmail&ust=1512583210535000&usg=AFQjCNGOqITJPrB2vd7kk-Gt_oaLnrBbRQ" rel="noopener">
John MOuse is promoting the single and album at
Crofters Rights, Bristol Dec 11th
Morgans, Rhondda Valleys Jan 1st
The Moon, Cardiff Jan 12th
Price Albert, Stroud Feb 10th
Le Pub, Newport Feb 17th
